Artworks > 1982 >Autumn

这四幅油画作品的题目叫《春》《夏》《秋》《冬》，完成于1982年。这几幅作品于1983年与我的版画作品《野花》同时在“央美全校学生作品联展”上展览。因为当时我是版画系的学生，在版画系展览的部分里居然出现了油画作品？很愕然。据说当时也引起了老师们的争论，还好，最终还是“允许这四幅版画系的学生画的四幅油画作品展览了”。 我真心感谢当时支持作品展览的央美老师，尽管我不知道是谁。不过，我永远不会忘记：在一次上下楼的电梯里，当然许多的同学和老师，其中也有朱乃正老师，他突然的对着我说：那几幅油画作品是你画的？我说，是，他说：很好。（其实这几幅作品都是暑期的时候在宿舍里画的，使用的是油画纸，因为长度不够，在右侧我抖接了一段）。 对于朱老师，因为我们不是一个系的，至今我只有两个记忆。其一，1981年他当了20多年的“右派”以后回到美院，我们几个学生帮助他把大卡车的东西搬下来。第二个，大约1987年我去他在11层（我们住在7层）的工作室（就是一个小房子），他正在斜躺着+手里拿了一瓶酒，喝的醉醺醺的。他说：你请坐…我目前已经忘记他说了什么。在此表示对这位老师的敬意+记忆与怀念吧。

The titles of these four oil paintings are "Spring," "Summer," "Autumn," and "Winter," completed in 1982. These works were exhibited alongside my print work "Wildflowers" in the "Central Academy of Fine Arts All-Student Art Exhibition" in 1983. As I was a student in the printmaking department at that time, it was quite surprising to find oil paintings displayed in the printmaking section. It is said that this caused some debate among the teachers. Fortunately, in the end, these four oil paintings created by a student from the printmaking department were allowed to be exhibited. I genuinely appreciate the support of the teachers from the Central Academy of Fine Arts who endorsed the exhibition of these works, even though I don't know who they were. However, I will never forget an encounter: in an elevator during a trip between floors, among many fellow students and teachers, including Professor Zhu Naizheng, he suddenly turned to me and asked, "Did you paint those oil paintings?" I replied, "Yes," and he said, "Very good." (In fact, I painted these works during the summer in my dormitory using oil paper. Since the paper wasn't long enough, I attached an additional piece on the right side.) Regarding Professor Zhu Naizheng, because we weren't from the same department, I only have two memories of him until now. Firstly, in 1981, after more than 20 years, he returned to the academy following his "rightist" label, and a few of us students helped him unload a truckload of things. Secondly, around 1987, I went to his studio on the 11th floor (we lived on the 7th floor). He was lying down diagonally, holding a bottle of wine, somewhat tipsy. He said, "Please have a seat..." I have forgotten what he said afterward. Here, I express my respect, memories, and fondness for this teacher.